I paint to provide proof—for myself and others—of existing in certain moments in time. I paint to capture, document, and preserve memories. I translate the essence of moments through color by mixing up the poetics of people and places. I retell stories through various methods of mark-making using paint, collage, sketching and writing. This process preserves memories as tangible "maps." I often juxtapose these memory maps with short captions that form the foundation for the colors I mix.
I paint to remember. Through subtle shifts in colors or ranges of contrasting colors, I attempt to create something familiar, and—at the same time—something entirely elusive and intangible, like a forgotten word on the tip of one's tongue. My colors blend and bounce off of each other. They tell of a person or place's ambiguous history. This vagueness is complemented by specifics in my writing, which—while focusing on a moment's singular identity and tender details—leaves much to the viewers' interpretation.
Color is what I see when I hear music, taste wine, or read the titles of short stories. It is how I decipher new places when traveling, and the people I meet along the way. Through color I am trying to remedy nostalgia; my paintings are the vessels that ferry viewers back in time, so they can encounter a moment again and again.
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