January 15, 2012 – 10:11 AM
Back in August last year, PCP moved to a brand new office in the Echo Park neighborhood of Los Angeles! We are in good company across the street from Shepard Fairey’s STUDIO NUMBER-ONE and SUBLIMINAL PROJECTS and on the same block as BRAINBOW and BLOOD IS THE NEW BLACK.
Check out some of our Before and After pictures (although not completely finished yet)!
Tags: blood is the new black, brainbow, echo Park, Los Angeles, new office, studio number one, Subliminal Projects
July 18, 2011 – 1:03 PM
V1 GALLERY COPENHAGEN PROUDLY PRESENTS…
YOUR AD HERE….A SOLO EXHIBITION BY SHEPARD FAIREY
RECEPTION: FRIDAY AUGUST 5. 2011. TIME: 17.00-22.00
EXHIBITION DATES: AUGUST 6. – SEPTEMBER 3. 2011
“Your Ad Here”, recent works by Shepard Fairey, comprises a broad array of mixed media works on canvas and paper, as well as screen prints, retired stencils, and Rubylith cuts. Building upon Fairey’s history of questioning the control of public space and public discourse, much of the art in “Your Ad Here” examines advertising and salesmanship as tools of propaganda and influence. One series in “Your Ad Here” portrays politicians like Reagan and Nixon as insincere salesmen wielding simple slogans that represent their true agendas when stripped of verbose demagoguery. Another series of works are paintings of Fairey’s Obey “Icon Face” in various urban settings usually reserved for advertising as the primary visual. These works showcase the power of images in the public space, and encourage the viewer to think of public space as more than a one-way dialogue with advertising, but as a venue for creative response. “Your Ad Here” means exactly that… not just THEIR ad here, but you can put YOUR ad here. Additionally, these cityscape paintings contextualize Fairey’s street art as an element integrated in an intentional composition. Some of the works in “Your Ad Here”, such as a group of retired spray-paint stencils demonstrate the simple and direct methods of art application that Fairey has used both in the street, and in his studio practice. All of the works in “Your Ad Here” whether they relate to advertising, politics, or music culture, celebrate art as a powerful tool of direct engagement and empowerment.
V1 Gallery
Flæsketorvet 69 – 71
1711 Copenhagen V
Denmark
v1gallery.com
Tags: august 5, COPENHAGEN, Shepard Fairey, V1 GALLERY, your ad here
March 4, 2011 – 3:05 PM
REVOLUTIONS: THE ALBUM COVER ART OF SHEPARD FAIREY
OPENING RECEPTION: MARCH 12TH, 2011, 8-11PM
EXHIBITION DATES: 3/12 – 4/23/1
ROBERT BERMAN GALLERY C2 / 2525 MICHIGAN AVE / SANTA MONICA, CA 90404
OBEY GIANT ART X SUBLIMINAL PROJECTS X ROBERT BERMAN GALLERY ARE PROUD TO PRESENT REVOLUTIONS, A PROJECT FEATURING THE ALBUM COVER ART OF SHEPARD FAIREY. ON EXHIBITION FROM MARCH 12TH THRU APRIL 23RD AT ROBERT BERMAN’S C2 GALLERY, WILL BE OVER 80 PIECES OF PUNK, ROCK, NEW WAVE, JAZZ, AND HIP-HOP INSPIRED ARTWORK BASED ON THE 12″ RECORD COVER FORMAT. TO MARK THIS OCCASION, TWO SPECIAL LIMITED EDITION ALBUM COVER PRINT BOX SETS WILL BE RELEASED FOR THE EXHIBITION. PLEASE JOIN US FOR THE OPENING CELEBRATION ON SATURDAY, MARCH 12TH, 8-11PM.
“LONG BEFORE I KNEW ABOUT ART GALLERIES OR EVEN STREET ART, I WAS EXCITED ABOUT ALBUM COVER ART, IF ONLY BECAUSE IT WAS THE VISUAL COUNTERPART TO THE MUSIC ON THE RECORDS I LOVED. ALBUM COVERS CONJURED A EUPHORIC ASSOCIATION WITH THE LISTENING EXPERIENCE. MOST OF MY EARLIEST HOME-MADE TEE SHIRTS WERE STENCILS BASED ON PUNK ALBUM COVERS. I’VE HAD SOME VERY MOVING ENCOUNTERS WITH ART IN MY LIFE, ESPECIALLY IN THE STREET, BUT ALMOST NOTHING CAN COMPARE WITH THE FIRST TIME I HEARD THE BOOTS MARCHING AND FIRST CHORD OF THE SEX PISTOLS’ HOLIDAYS IN THE SUN, OR THE AIR RAID SIRENS LEADING INTO “TOO BLACK, TOO STRONG” ON THE INTRO TO PUBLIC ENEMY’S IT TAKES A NATION OF MILLIONS TO HOLD US BACK, OR THE OPENING GUITAR SCREAM OF BLACK FLAG’SRISE ABOVE. THOSE SONGS DID, AND STILL DO, MAKE MY ARM HAIRS STAND UP. MUSIC IS VISCERAL AND ACCESSIBLE, BUT ALSO HAS THE ADDITIONAL POWERFUL LAYERS OF THE LYRICS, WITH THEIR CONTENT AND POLITICS, AND THE STYLE, POLITICS, AND PERSONALITIES OF THE MUSICIANS THEMSELVES. NO MATTER HOW MUCH I LOVE ART, OR TRY TO CONVINCE MYSELF OF ITS RELEVANCE IN SOCIETY, THE FACT REMAINS THAT MUSIC IS A LOT COOLER AND WAY MORE ABLE TO REACH PEOPLE’S HEARTS AND MINDS’ BUT I’M A POPULIST AND I LOOK AT THIS WAY: I MAY NOT PLAY AN INSTRUMENT, BUT I’M GONNA ROCK IT HARD AS NAILS ANYWAY. WITH MY ART I TRY TO CAPTURE THE SAME ENERGY AND SPIRIT THAT MAKES MUSIC SO POWERFUL AND DEMOCRATIC. REVOLUTIONS IS A CELEBRATION OF ALL THE GREAT MUSIC AND ACCOMPANYING ART THAT HAS INSPIRED ME OVER THE YEARS.”
- SHEPARD
February 24, 2011 – 1:56 AM
February 25 – March 26, 2010
Subliminal Projects
Opening Reception:
Friday, Feb 25th 2011 / 7 – 11 p.m.
Musical performance at 9pm
FEATURING WORK BY EDWARD COLVER, SHEPARD FAIREY, GLEN E. FRIEDMAN, JENNY LENS, DAVE MARKEY, RAYMOND PETTIBON, JORDAN SCHWARTZ, WINSTON SMITH
Original flyers, posters, set lists and more from Bryan Ray Turcotte
(Fucked Up + Photocopied)
Curated by Katherine B. Cone and Jon Cournoyer
TOO FAST TO LIVE, TOO YOUNG TO DIE is a selection of photography, art and ephemera from the California Punk & Hardcore scene with an emphasis on the explosive period of the late 70′s and early 80′s. This exhibition features creative pioneers who were present for the detonation of the Southern California scene and whose imagery helped capture and craft it’s angles, attitudes, music, fashion and sub-culture. Additionally, reflections of other punk scenes throughout California and contemporary collaborations will be presented that were inspired by one of the most potent and relevant periods of individual expression in California history.
Edward Colver has been a Los Angeles-based photographer for over thirty years creating some of the most iconic images of the L.A. punk scene early in his career. Self-taught he had his first photograph published after just three months. A fixture of the early SoCal scene, its been said, “If you went to a show and Edward Colver wasn’t there shooting pictures, you were at the wrong show.” The retrospective exhibition and publication, “Blight at the End of the Funnel” was hosted by Cal State Fullerton in 2006 and the documentary “American Hardcore” featured many of his images.
Glen E. Friedman is based in New York City and is one of the most revered photographers of his generation, continually capturing rebellious individuals from the musical and youth sub-cultures. In 1982, he photographed, art directed and published the influential punk zine “My Rules”, one of the first comprehensive documents and commercially successful chronicles of the American hardcore punk scene. Continuing through the 1980s and 90′s, he captured classic punk and hip-hop images of Black Flag, Minor Threat, Public Enemy, Run DMC and more, many of which are considered the subject’s definitive portrait. Since 1997 his exhibition, “Fuck You All” has been consistently traveling both nationally and internationally, highlighting important works that span throughout his prolific career. His photographs are in the collections of institutions such as Metropolitan Museum of Art, The Smithsonian Institute and the Experience Music Project Museum.
Dave Markey and Jordan Schwartz are the founders of the zine “We Got Power” which documented the Southern California punk scene in the early 1980′s. The subsequent photographs it produced uniquely captured this important period. Schwartz was also a producer for Lovedoll Films and served as press and booking agent for SST Records during this period. According to the 1985 Rolling Stone article he was one of the last people to sleep on the floor of the now-legendary record company, “If you work for SST Records you have to be prepared to sleep on the floor”. Markey’s work in film/video created some of the most important documents of it’s time and included collaborations with Sonic Youth, Raymond Pettibon, Nirvana, Mudhoney, The Ramones, Black Flag and many more. His films have been in festival screenings both national and internationally, including the United Kingdom screening tour entitled “Desperate Cinema” in 2005. A solo exhibition of his films was hosted by Seventeen Gallery in London in 2009. Most recently a selection were included in the Sonic Youth internationally traveling retrospective “Sensational Fix”.
Raymond Pettibon is based in Venice, California and is a leading figure in the international artworld who sprang from the world of California punk and illustration and whose work is now in the permanent collections of galleries and museums throughout the world. His early artistic roots lie in music, specifically in the Los Angeles punk rock scene designing artwork for SST Records and bands such as Black Flag, The Minutemen, and Sonic Youth. He has had museum exhibitions at MOCA, SFMOMA, Philadelphia Museum of Art, The Whitney Museum of American Art, Centro de Arte Contemporaneo de Malaga, Spain and many more. He has been the recipient of numerous awards including the Bucksbaum Award in relation his installation at the 2004 Whitney Biennial.
Winston Smith is a San Francisco-based artist whose roots lie in punk rock album cover design and collage imagery. His early work involves album art for the Dead Kennedys and has gone on to create over 50 record covers and has had numerous international exhibitions of his artwork over the last thirty years. Last Gasp has published a large selection of his work and he recently had a retrospective exhibition “Deep Dimension” in San Francisco, CA.
Tags: DAVE MARKEY, EDWARD COLVER, GLEN E. FRIEDMAN, JENNY LENS, JORDAN SCHWARTZ, RAYMOND PETTIBON, Shepard Fairey, Subliminal Projects, too fast to live too young to die, WINSTON SMITH
