February 2, 2012 – 10:32 AM
We are so crazy about this print by long time friend of PCP, KEVIN E. TAYLOR.
Based on a painting this Giclee print is printed on Archival Silver Rag paper and fits perfectly into a 9×12 inches. Limited to an edition of 50.
“The Equine Construction”
$65 | Buy Now
Each print is embossed signed and numbered by the artist and exclusive to Poster Child Prints. Certificate of Authenticity included.
Kevin Earl Taylor was born December 28, 1972 in Charleston, SC. In 1995, he received a B.F.A. from The Savannah College of Art and Design. His work has been exhibited and published throughout the US, as well as internationally. Though primarily an oil painter, he also explores time based art forms such as sound and video. Kevin lives in San Francisco, CA.
Tags: kevin e. taylor, Print Release, the equine construction
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January 15, 2012 – 10:11 AM
Back in August last year, PCP moved to a brand new office in the Echo Park neighborhood of Los Angeles! We are in good company across the street from Shepard Fairey’s STUDIO NUMBER-ONE and SUBLIMINAL PROJECTS and on the same block as BRAINBOW and BLOOD IS THE NEW BLACK.
Check out some of our Before and After pictures (although not completely finished yet)!
Tags: blood is the new black, brainbow, echo Park, Los Angeles, new office, studio number one, Subliminal Projects
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December 20, 2010 – 3:23 AM
Thanks to everyone for coming out in the rain and to everyone who made it happen (you know who you are:)!!!
Tags: adam wallacavage, Amanda Visell, Cleon Peterson, Curtis Kulig, Deedee Cheriel, FriendsWithYou, holiday sale, jim houser, Joshua Petker, Kill Pixie, mark mothersbaugh, Matt Goldman, Mike Giant, PCP, Shepard Fairey, Skullphone, Subliminal Projects
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November 30, 2010 – 11:07 AM
New works by Kevin Earl Taylor December 11th – January 15th, 2011 (Opening reception December 11th, 7-10pm)
Eleanor Harwood Gallery 1295 Alabama St. San Francisco, CA 94110 www.eleanorharwood.com
Through an ongoing attempt to preserve our surroundings, we can easily overlook what a thing actually is. An object, when presented for public perusal, is dislocated from the system that previously required it’s initial purpose. Frozen in a state of artificial immortality, the intrinsic functionality removed- it becomes literally untouchable. It is not difficult in an age where we involuntarily process a constant stream of information to miss an opportunity to appreciate beauty while it exists amongst us. In fact, we often wait until an existence becomes threatened before we rally for preservation. An observant mind and eye anticipates what will become tomorrow’s cherished relics. Ironically, by consciously exercising this action, the need to place things out of reach in order to experience them in their natural state could become less necessary.
Dislocated examines concepts of isolation, exhibition and preservation. The inherent functionality of each subject is removed, becoming an object on display whose sole purpose is being regarded by the viewer. Through presenting organic forms within sterile interiors, the focus is shifted towards the subject and away from its relationship unto an environment. Through these images, subjects and situations are forced out of context and the viewer is asked to take a fresh perspective.
It is expected to visually digest inanimate objects once inside an art gallery or museum, but it seems unfamiliar and awkward to perceive living creatures in the same fashion. These images allow one to pause for a moment and acquire such a pretense. The aim of this work is not to comment positively or negatively on this act, but to manifest a perspective and publish results.
Tags: Dislocated, Eleanor Harwood Gallery, Gallery Opening, KET, Kevin Earl Taylor, San Francisco
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