Archives: PCP Features

Cleon Peterson ‘White Flag’

May 7, 2011 – 3:40 AM

Cleon Peterson
‘White Flag

Opening Reception: Thursday, May 19th from 6 – 9pm.

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Joshua Liner Gallery
548 W 28th St. 3rd Floor New York, New York 10001
212-244-7415 joshualinergallery.com

This will be Peterson’s first solo exhibition with Joshua Liner Gallery. ‘White Flag’ (Gallery I) will consist of 14 new paintings on panel. Rendered in acrylic on paper mounted on board, these 14 medium- to large-size works take violence as their symbolic subject. Peterson explores the tension between the conscious ego and repressed “shadow,” the unconscious area of the psyche where rejected and banished self-knowledge gains intensity and is personified.

Please contact the gallery for additional information or to be placed on the preview list for this exhibit.

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DATE FARMERS / May 7, 2011

May 4, 2011 – 3:19 AM

¡EL SEGUNDO!
DATE FARMERS
SATURDAY, MAY 7, 2011 / PUBLIC RECEPTION FROM 8 – 10 PM

EXHIBITION RUNS THROUGH JULY 2011

sicduk

This second phase of the Date Farmers’ exhibition at Ace Gallery Los Angeles is the result of their ongoing process of accumulation during the last six months. Since the pre-opening in December 2010, the gallery has literally become their studio working space, having 24-hour access to the gallery seven days a week, adding new work and repainting others as their conception and aesthetic of the overall installation has evolved. Their unique approach to making an exhibition has expanded boundaries of painting and flourished to include a fully functional bar with furnishings and a “3D Club Video” Date Farmers Theatre made from recycled, customized corrugated metal, for their film collaboration A Volta which screened at the 2010 Sundance Film Festival and internationally. The Date Farmers have been given free reign in mounting their ever-evolving exhibition, morphing and customizing it into their highly idiosyncratic universe.

The Date Farmers, consisting of Armando Lerma and Carlos Ramirez, coined their name early in their careers after joining artistic forces in 1998. Their paintings, collages, sculptures, effigies, installations, and videos are infused with both commercial references and political content. Rooted in their Mexican-American heritage and Californian pop culture, their work contains elements influenced by a vast history of Mexican culture: Pre-Columbian art, the Mayan codices, Mexican street murals, Catholicism, traditional revolutionary posters, prison art, graffiti, Oaxacan sign painting, low-rider and tattoo art, fused to create their own signature visual language. The artists often travel across the border into Mexicali and Oaxaca hunting for found materials such as discarded signs, wood, and corrugated metal that they reconfigure, often juxtaposing pirated images and text with their original artwork and collaged elements. In customizing found objects with a mordant wit, the artists place themselves into their work, both emotionally and pictorially, sometimes representing themselves in surrogate as ferocious black dogs.

Originally from Indio, California, a desert region a few hours east of Los Angeles, the duo have been living and working on their art in the peaceful seclusion of the desert until recently when they also took a studio in Los Angeles to create their exhibition for Ace Gallery. The Date Farmers combine familiar pop iconography – ranging from Mickey Mouse, Darth Vader, and Spiderman – to ‘amended’ corporate logos with figures from comics, folklore, and Catholicism. In these paintings, desert creatures – such as tarantulas, coyotes, scorpions, and rattlesnakes – are hand-painted on top of seemingly incongruous found signs with collaged lettering, along with such items as stamps, bottle caps, comic strips, and advertisements. The duo use larger-than-life figures and ideas, like Jesus and brand names, in what they call “Super Loco” also expanding the use of words mixing English and Spanish titles and flaunting creative misspellings like “Servicios D.J. Pleyboy” and the “Superchango.”

The Date Farmers have a history just as compelling as their artwork. Armando’s father owned a date farm where Carlos once worked, yet the two later met at an art opening in the Coachella Valley in California. Carlos’ mother was a migrant who once worked with civil rights leader Cesar Chavez, an American activist and co-founder of the United Farm Workers, during the grape boycott of the 1970s. From the viewpoint of American-born Chicanos, the Date Farmers explore topical subjects with insightful simplicity. Their work was recently included in the Museum of Contemporary Art San Diego’s 2010 exhibition Viva La Revolución: A Dialogue with the Urban Landscape, and has been exhibited in museums such as Oakland Museum of California, Laguna Art Museum and Palm Springs Art Museum.

Install29
5514 WILSHIRE BLVD.
LOS ANGELES, CA 90036
[ BETWEEN LA BREA & LACMA ]
WWW.ACEGALLERY.NET
ACEGALLERY@ACEGALLERY.NET
T: 323.935.4411 F: 323.202.1082

ONE HOUR COMPLIMENTARY PARKING DURING THE DAY WITH VALIDATION
AVAILABLE FROM 10AM – 6PM IMMEDIATELY BEHIND THE GALLERY
BETWEEN DUNSMUIR AND BURNSIDE

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NEW MASTERS, Subliminal Projects- May 7, 2011

May 3, 2011 – 2:54 AM

NEW MASTERS
Opening Reception: SATURDAY, MAY 7TH, 8-11PM (Valet Parking Provided)

Subliminal Projects, Los Angeles

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May 7 – June 4, 2011
Subliminal Projects Gallery is pleased to present New Masters, a group exhibition of works on the classical figure by contemporary artists Mary Jane Ansell, Sean Cheetham, Ron English, Benjamin Bryce Kelley, Miles ‘Mac’ MacGregor, Ann Marshall, Stephen Wright, and Jonathan Yeo, on view May 7, through June 4, 2011. A reception for the artists will be held Saturday, May 7th, from 8-11p.m.

The New Masters exhibition focuses on today’s leading contemporary artists and their approach to the classical figure. These exceptional artists are considered the “New Masters” of today’s figure painters, printers and sculptors, invoking the feeling of the Old Master’s technical virtuosity with a contemporary approach.

The classical figure has been admired throughout history and mastering the depiction of the human figure has long been considered the cornerstone of artistic practice. To perfect their representation of human anatomy, musculature, and proportion, artists throughout the ages turned to ancient Greek and Roman sculpture. By imitating ancient precedents, the Old Masters of art developed a classical figural type that remained the predominant mode of representation for centuries. Following, the 16th and 17th centuries of the Renaissance took the classical figure to a higher level through the use of perspective, the study of human anatomy and proportion, and through their development of an unprecedented refinement in drawing and painting techniques.

In the present day, these leading contemporary artists have a heightened ability to understand and interpret their subject, while emphasizing the mind-set and methodologies that have guided artists for over five hundred years. Their figures are influenced by characteristics of today- feelings, surroundings, beliefs, and relationships, incorporated with new techniques and mediums, while still holding true the fundamentals of the classical form, thus becoming the New Masters.

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JR returns to LA for more!

April 29, 2011 – 11:06 AM

JR passing through LA yesterday got two more stunning walls up for the project he started in February, Wrinkles of the City. One in West Hollywood and the other in Echo Park! Check them out on: http://www.jr-art.net/

See all walls documented from Wrinkles of the City by LA WEEKLY.

JR_LA_ECKOPARKL1000137

ECHO PARK
1453 West Sunset Boulevard, Los Angeles, California
Between: Portia and Sutherland

JR_LA_WRINKLES_WESTHOLLYWOOD_L1000092

WEST HOLLYWOOD
8445 W 3rd St, Los Angeles, California 90048-4124
Between: La Cienega and Croft

ALL PHOTOS BY JR

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